Photos from a Past Journey

As I mentioned back in December, one of the projects I’m working on this year is to re-publish a chapbook of poems I wrote back in 1993 about my first journey to Europe, a family journey as exciting and as fulfilling as I had always hoped.

The original chapbook was ‘published’ (read typed and photocopied) in a limited edition of twelve. It was mainly poems written on, or just after that trip, and some selected diary entries. It was printed originally in A4, twenty-two pages, individually numbered, two-sided photocopies, spiral bound with a postcard from the journey pasted on the opening page of each copy and given to friends.

The project this year has been to digitise that chapbook, trying to keep as much of the spirit of the original as possible, but making it more available in ebook and paperback format. I’m hoping to have that online by the end of April when I plan to return to Europe, not for the first time since then, but with that journey firmly in mind.

Meanwhile, here’s some of the photographs I took on the trip, some of which I’ll include in the new edition. There’s nothing spectacular about them, or distinctive. But they do, I think, have a certain feel of the ‘time’, obvious places, obvious holiday ‘snaps’ taken on film on my Minolta 303 (pictured below) that I lugged around with me all the way, along with a pasta maker for much of the journey! But that’s another story.

The mini-collection, Us, Falling for It, should be out next month.

The original cover, 1993
The light in Greece
Pont de Gard
Eiffel Tower
Tourists at the Parthenon
The British seaside at Hastings
Trusty Minolta SRT303

iamb – Poetry Seen and Heard

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In my eyes (or ears) poetry is meant to be heard as well as seen. I love hearing author’s read their own work, and the subtle rise and fall of intonations or nuance.

So, I was pleased to hear about iamb (poetry seen and heard), a site for contemporary poetry. They say: ‘Part library of poets, part quarterly journal, iamb is where established and emerging talents are showcased side by side. Not just their words, but their readings of them. Expect new poems, every three months, free to your device of choice’ and ‘auditions’ are open at limited time periods.

It’s a simple premise. Each online ‘issue’ features fifteen or twenty poets, each poet gets three poems and the poems are there as text as well as audio form. They freely admit that the basic concept is inspired by The Poetry Archive

There’s plenty to enjoy here, and the audio format just gives the work another dimension.

The Rider

I saw her again this morning.  I wrote a poem about her over twenty years ago. I hadn’t seen her for years and I was astounded to see that familiar hunched figure ride by me on my walk this morning. She’s older now, obviously, but I recognised her immediately, the too-big helmet lopsided on the head, and especially the hunched figure pedalling by. Here’s the poem, unpublished and forgotten, until I saw her again today.

 

The Riders

In bulbous headgear they are riding,
or walking the darkened streets
before dawn.

In the flat suburbs away from the bay
they are waking and running
selves away
from self,
becoming insubstantial
and invisible.

In morning mist in autumn
they are silvery wraiths.

By mid-morning they have disappeared
into TV worlds
more real than the ghosts of the washing
luminous in the back yard
or the wind across the unmown lawn.

Around the cold streets she rides
helmeted head too big for a body
wasted by the long pedalling to nowhere,
thin legs and chest
a hunched haunted look.

She rides the daylight hours,
through the path and passage of her dreaming,
rides till she is light and flighty,
always some destination in mind
that is never quite here.

But which will be golden
and weightless.

 

 

Abandoned Picnic Places

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On my walk this morning, along the bay near Safety Beach, I looked away from the sea for a moment, and there was a picnic table half-hidden in the ti-tree. A concrete picnic table, and the stump foundations of the benches that must once have been located along either long side. A forgotten little object, never important even on the day it was built, and mossy monolithic concrete now.

But, for me, there’s always been something about these lost and abandoned places. I’ve written about this before; on Abandoned Picnic Places, Buried Things and The Lost Highway but for some reason they still move me somehow: the transience, the hopefulness, the idea, I’m not sure. I do think that there’s something particular about the picnic place too; that families, or couples, or friends sat here by the sea, in moments that are long gone now.

I stopped, took a couple of quick photos and walked on. But the image stayed with me for the rest of the day. One day someone constructed this. I’m reminded of that lovely imagist poem by T.E. Hulme:

Old houses were scaffolding once
and workmen whistling.

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Roger Bannister and the Four Minute Mile

og-roger-bannister-2739

I was sad this week to hear of the passing of Roger Bannister, the English athlete who famously broke the four minute mile in 1954. I grew up a little after that, in the shadow of World War II, the British Empire’s last gasps, the ascent of Everest and the four minute mile.

Bannister, boyish looking, amateur athlete, running around the track at Oxford, represented a particular Englishness for me, partly because my father was a runner and told me these stories too. I remembered this week that I’d written a poem that included Bannister a few years ago, so I thought I’d include it here, now.

 

Child of the Empire

I was born under
The Illusion of Progress,
raised on the outskirts
of a great empire, believing
things improve,
built things endure.

I was schooled in
The Great Tradition
near an airport
where the bright silver vehicles
of the future
descended from the blue.

I was coached in the exploits
of Roger Bannister and Baden Powell
and the self-determination of
Look and Learn
or the steady resolve of Churchill
in the Blitz.

All that certainty unravels slowly
and tangles as it does,
things change before you know them,
a stone, nestled beneath the tongue,
wont get you through all this.

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