On my walk this morning, along the bay near Safety Beach, I looked away from the sea for a moment, and there was a picnic table half-hidden in the ti-tree. A concrete picnic table, and the stump foundations of the benches that must once have been located along either long side. A forgotten little object, never important even on the day it was built, and mossy monolithic concrete now.
But, for me, there’s always been something about these lost and abandoned places. I’ve written about this before; on Abandoned Picnic Places, Buried Things and The Lost Highway but for some reason they still move me somehow: the transience, the hopefulness, the idea, I’m not sure. I do think that there’s something particular about the picnic place too; that families, or couples, or friends sat here by the sea, in moments that are long gone now.
I stopped, took a couple of quick photos and walked on. But the image stayed with me for the rest of the day. One day someone constructed this. I’m reminded of that lovely imagist poem by T.E. Hulme:
Old houses were scaffolding once
and workmen whistling.
I was sad this week to hear of the passing of Roger Bannister, the English athlete who famously broke the four minute mile in 1954. I grew up a little after that, in the shadow of World War II, the British Empire’s last gasps, the ascent of Everest and the four minute mile.
Bannister, boyish looking, amateur athlete, running around the track at Oxford, represented a particular Englishness for me, partly because my father was a runner and told me these stories too. I remembered this week that I’d written a poem that included Bannister a few years ago, so I thought I’d include it here, now.
Child of the Empire
I was born under
The Illusion of Progress,
raised on the outskirts
of a great empire, believing
built things endure.
I was schooled in
The Great Tradition
near an airport
where the bright silver vehicles
of the future
descended from the blue.
I was coached in the exploits
of Roger Bannister and Baden Powell
and the self-determination of
Look and Learn
or the steady resolve of Churchill
in the Blitz.
All that certainty unravels slowly
and tangles as it does,
things change before you know them,
a stone, nestled beneath the tongue,
wont get you through all this.
I was really pleased to have some new poems of mine included in the latest issue of Eureka Street online. Click on the image above to read the poems in the November issue.
I’ve had a long held dream to promote some means for teachers to get hold of contemporary Australian poetry, for classroom use, and this week I learned that the Australian Poetry Library was attempting to do just that.
Funded by the Australian Copyright Agency, there’s none of my poetry there, but there is a pretty good range of poets with extensive range of poems: 1600 from Les Murray, over 700 from Peter Porter, nearly 500 p oems from Diane Fahey. Downloading is a little clunky (PDF by PayPal) and maybe they might have been better going for a broader spread of poets (they’ve closed the site to new poems I see) and spent a little more time on better searching, but it’s a pretty impressive start.
The Disappearing is a new app with a place based focus that lets you explore poems about where you are right now. Especially if you’re in Sydney! It’s a nice idea, and they promise to expand the range of poems later on, and you can submit your own poems right now. It’s got a great looking cover, and works well. Here’s the opening screen:
You then select a location, or use the location feature on your phone to find poems around you now.
The actual poems themselves are a bit plain looking, given the nice entry to the app, but it all works.
The Disappearing is an innovative new app for iPhone, iPad and Android that (literally) explores poetry and place.
Transform the world around you with new poems by some of Australia’s finest poets, who’ve created a poetic map charting traces, fragmentary histories, impressions and memories.
Beginning with a collection of over 100 poems about Sydney, The Disappearing will stretch across Australia during 2012.
Along with previously unpublished poetry, The Disappearing features exclusive videos of readings and interviews with poets.
Users can upload their own poems to The Disappearing, preserving ideas, emotions and experiences about their own environment that vanish over time.
I love the idea, but I’ve been half in love with disappearing landscapes for ever. Witness my Suburban Margins Project. So, I’ll be following this project with interest, and maybe contributing too. Or maybe I’ll make some new maps of my own.
Ah, paper. There’s something about you. I’m keen on technology and I love the potential for communication that the internet brings. Even love my iPad.
But there’s something about good ol’ paper. As I remembered this week when my copy of the Australian Poetry anthology ‘Metabolism’ appeared in the mailbox. I’ve had the downloadable version for some time, and I’ve blogged about that before, but there was something nice about getting the printed version.
It was a bit damp from the rain we’ve had, and the cover was a bit bent where the postman had jammed it in to a slot that was not meant for poetry books, leaving a crease in the front and back cover that’s never going to squash away. But that’s paper. And part of what a book is.
I was delighted to receive in the post this week my copies of Best Australian Poems 2011 (published by Black Inc) This year’s edition is edited by John Tranter and includes poems by poets like Robert Adamson, Ken Bolton, Pam Brown, Sarah Day, Bruce Dawe, Geoff Goodfellow, Jennifer Harrison, Andy Kissane, Jennifer Maiden, Les Murray and Thomas Shapcott. Pretty good company hey?
My poem, The Station of the Stairs was inspired by the wooden steps up from Bird Rock Beach to the highway. I’ll put it online sometime over the summer. The book is $24.95 and I think it’s out now.
Below: The Stairs, Photo: Warrick